The old master dealer on market caution, setting the record straight with Colnaghi, and working for a very private collector
Art and antiques fair builds on last year’s success of attracting high-spending collectors with a new section devoted to works on paper
Searching for underdrawings, conservators discover the artist’s reflection
Next year their collection of Dutch and Flemish 17th-century paintings goes on display for the first time in Europe and the US. The couple gave us their first ever interview
Faulty fire sprinkler “rained on” Leonardo’s portrait, reveals former director
Reinhold Würth has converted a church for old masters
Old masters, recovered as a result of one of the world’s largest Nazi restitution claims, net $20m
Salander-O’Reilly denies all charges
The Raphael was bought by the National Gallery for £22 million in February 2004
Two books try to shed new light on why Leonardo continues to exert a fascination for scholars, art historians and the public
Fragility of panels has made museums reluctant to lend
But the 139 works go to Dutch State, not collector’s heirs
Rediscovered Rembrandt made £6.9 million
Two studies of the Renaissance artist’s works reveal divergent assumptions about interpretation
Private collector vs State in Spain
A new exhibition takes a closer look at Leonardo's work on paper
Four drawings are being claimed by the heir of a Nazism victim
This makes it the first US city host Raphael drawings from the Lille Palais des beaux-arts’ renowned collection
The decadent show includes works from the Budapest Museum of Dine Arts, and is open until 4 August
Old Masters were booming, but decorative arts were a hard sell
Dreesmann was a passionate and committed collector who barely ever sold on his beloved acquisitions
And a wider range of stock attracts more collectors
"Mars and Venus" will pay for essential repairs
Raphael gets assessed according to the theories of Rudolph Steiner and Vasari’s judgement of Andrea del Sarto is reversed
Raphael’s “Donna Velata” and Titian’s “Young Englishman” have become two of the most influential paintings by Renaissance masters
As the supply of works by the big names dwindles demand is growing for pictures by lesser known artists
While a broad consensus emerged that sales remain solid, the demand for quality pictures outstrips supply, causing frustration among serious collectors
While the market remains largely stable in Europe, the demand for quality pictures, fuelled by thriving European economies, outstrips supply
Nina Amaku's rendition of 'Il Cavalo' is relegated to the racetrack
Trade at home is still strong, but Germany is looking for business beyond its borders