Flemish master had access to art from across the ages and assiduously reworked drawings by other artists
Exhibition on US painter opens at New York's Metropolitan Museum of Art before travelling to London
Royal Academy of Arts show has received near unanimous reviews
Exhibition will include paintings by Titian, Mantegna and Van Dyck
Visitors should not rush through the Los Angeles artist’s mid-career survey at New York’s Whitney Museum
Colour Space will show some brand-new works by Damien Hirst
Survey of Dutch master’s admiration for, and influence on, Japanese art is most ambitious yet
Howard and John Copeland to take over Newport Street gallery in February
The US artist Brice Marden takes a new tack in his latest works, on show at Gagosian in London
Stalwart gallerist to launch five shows and a monograph on the painter, who turns 80 next year
The museum aims to open the cleaning process to the public, with a conservator on hand to answer questions
Rumors of the death of painting have been greatly exaggerated
The book’s finest points are overshadowed by dispiriting foolishness
The presentation of painting all too often undermines the nature of true invention
Part one of a series on Luther’s favourite painter and publicist
Part two of a series on Luther’s favourite painter and publicist
Part three of a series on Luther’s favourite painter and publicist
Tate Modern shows that painting and performance are not polar opposites, but have a long history of interaction
Velázquez meets Bugs Bunny in George Condo’s first major retrospective on the South Bank
Wilhelm Sasnal on how his native Poland provides the inspiration for his work on canvas and celluloid
Archives reveal the events behind director Norman Reid’s decision to accept only nine of the artist’s pictures
Bigger Trees near Warter is 12m long and 4.5m high, and made up of 50 separate canvases
The artist has visited Iraq five times, and has no qualms about placing himself in the line of fire to document the conflict
Anselm Kiefer on leaving his studio of 15 years, the commercialisation of art and why the Holocaust still matters
Abts’ small, deeply layered canvases exert a quiet power
Tate needs over £2 million to buy the £3.2m painting from an overseas buyer
Fondation Vincent van Gogh assembles the surviving paintings in this series
(Tate Publications, London, 2000), 192 pp, 25 b/w ills, 160 col. ills, £16.99 (pb) ISBN 1854372874