Review
Fit for a king? What the British press is saying about the new Charles I exhibition
Royal Academy of Arts show has received near unanimous reviews
Flipping, freeports and fakers: the commodification of fine art
Second volume of Georgina Adam’s analysis of the art market looks at the darker side of the trade
Arshile Gorky takes us ‘beyond the tangible’ in Hauser & Wirth show
Émigré’s contributions to Abstract Expressionism make him a seminal figure of 20th-century US art
Richard Hambleton casts a long shadow in a new documentary film
The street artist behind Shadowman outlived many of his contemporaries, but heroin and untreated skin cancer eventually took their toll
‘Everything refers to everything else’: Vienna exhibitions reveal impact of other artists on Raphael and Rubens
Concurrent surveys in Austrian capital investigate the Old Masters' imaginative resources
Crowns made of chicken bones: on Eugene Von Bruenchenhein
A show of the artist's work in Sheboygan is sure to spur more interest in his art and life
Plenty to chew on: on Theatre of the World at the Guggenheim
The show, which was met with protest before it even opened, packs a punch
Ai Weiwei’s documentary debut Human Flow is more of a journey than a j’accuse
The feature-length film is now open in New York and Los Angeles
Fever dreams: on Delirious at the Met Breuer
An exhibition on post-war art proves a little too ambitious
The unfinished work of political organising: on An Incomplete History of Protest at the Whitney Museum
A powerful institution admirably tackles the present moment
How New York made Mondrian truly Modern
The artist was brilliant long before he came to the city, but his US works are his greatest achievements
Practical kitsch: on Ettore Sottsass at the Met Breuer
Disorientation over the designer's work has settled into quaint admiration
How Luise Dorothea became the grandmother of German Classicism
An exhibition in Gotha looks at her influence
An imitation, not a copy: Richard Shiff on what Bridget Riley learned from Georges Seurat
Riley had a formative encounter with the Pointillist's work early in her career
Grandma Moses: behind the folksy images, a canny operator
An exhibition in Vermont of the work of the early Outsider artist looks behind the icon of Yankee charm
The hell of modern media: on Robert Rauschenberg's Dante series
A new book on the drawings synthesises a range of information, but leaves certain questions unanswered
Boom and bust in Kassel and Athens
Documenta 14 sets itself in opposition to neoliberalism and the art market — but will it pave the way to greater excess?
Protean- rich: on the Gerhard Richter catalogue raisonné
The latest volume reveals Gerhard Richter’s variable but not always successful styles
Lime, sand and animal hair: on 18th-century British interiors
There was an extraordinary flowering of stucco decoration in the period at hand
Art critic Michael Fried’s new poems dwell on past love, childhood—and his predilection for high Modernism
The poet draws parallels between making sculpture and writing verse
What would Oscar Wilde have made of the fuss? On Queer British art at Tate Britain
The museum celebrates the artists who had to hide their sexuality
All the things we cannot know: Kenneth Baker on Sophie Calle in San Francisco
The artist makes a virtue out of mystery
First renowned, then overlooked, now rediscovered: on Edme Bouchardon
The artist worked with obsessional care, but only now is his versatility being recognised
Adjusted to fit: on Louise Lawler at MoMA
Lawler's work proves that conditions of display have a heavy bearing on how we see art and its history
Towering triumph: on the scholarly resurrection of Joseph de Levis
The Renaissance bronze-founder has been brought back to life by scholarly research
Your mind is not a computer: on Ian Cheng at MoMA PS1
The artist has a techno-determinist view of human development
Ancient China: a crossroads to the world
A landmark exhibition at New York’s Metropolitan Museum of Art is powered by new scholarship and archaeological discoveries
A panoply of plastic poses: on Emma Hamilton
A new book explores her extraordinary personal and social transformations
The parrot point of view: on Edward Lear's natural history studies
Such works were the basis of his later landscapes
The Donald Trump style of art history
The greatest works of Western art vindicate the US president’s ideas of democracy, according to his senior director for strategic assessments