Bank Pekao and the Aleph Zero platform collaborate to keep secure data by tokenising the digitised records of important works of art

The groundbreaking musicians and artists see every part of their London show as a form of art

The study also found that when volunteers looked at five works of art in the Hague’s Mauritshuis museum, their brains responded ten times more positively than when they viewed reproductions

The London artist joins Rana Begum, James Righton and Damien Hirst in making installations for the shop windows of Selfridges department store that react to the multi-faceted history of the New York jeweller

The sale of the work, unveiled at Italian Tech Week, supports non-profit initiatives like food justice and the protection of millions of acres of land and sea

Dataland is due to open in 2025 at the Frank Gehry-designed The Grand LA development in Los Angeles's downtown arts district

Finalists will be shown on the New York museum’s media wall with visitors able to mint a fragment of each work on the Tezos blockchain

Concerns about access, expertise and data sourcing have overshadowed the enormous power and potential that AI image generators offer

Those behind the Museum Data Service hope it will eventually host the details of objects held by 1,750 “accredited” museums and other collections

Three years on from the NFT explosion, growth in new markets continues

The work, on view this month at the Kennedy Center for the Performing Arts’ Reach Plaza, is “not about replacing or erasing him, about remembering him”, Anadol says

Digital players focus on transparent, algorithmically driven analytics to appeal to a younger base for whom the medium is cool. But that data still needs informed interpretation

Experimentation, freedom and in-house content are key to how the gallery engages with its five million followers on social media

The London art world came out in force to celebrate the American visionary's exhibition “Revelations” and to enjoy a tech-powered interaction with her quest to create a world where power is equally shared

The curator Beth Greenacre has been appointed visual arts adviser to the festival

What can museums and heritage institutions do about disinformation powered by artificial intelligence?

Noemi Schipfer and Takami Nakamoto will present three installations at a warehouse space in south London

Even the science-themed PST Art exhibitions, opening in Los Angeles in September, avoid the tech revolutions of our day

With lessons learnt from NFTs, expert calls for legal guardrails to allow “trinity” of blockchain, responsible AI and smart contracts to launch an “automated economy”

The Museum of the Moving Image (MoMI) and the Tezos Foundation have teamed up to offer the public a chance to acquire—for no cost—parts of works projected onto a screen in the lobby

Geneva-based RVig, who was awarded the prize for a piece inspired by Baudelaire, is hoping for a more nuanced understanding of what NFTs bring to the art world

The charges, brought by the office of the Attorney for the Southern District of New York, signal a commitment to pursuing wide-ranging cryptocurrency cases

The country is flexing its crypto-friendly credentials, while an art fair dedicated to all things digital is making its debut this week

The Los Angeles-based artist is presenting his "REMEMBR" installation, which riffs visually, musically and emotionally on users’ smartphone camera rolls, in London

The maverick artist is working with 1OF1, collectors of high-level digital art, to offer owners of his "CHAOS" video sculpture series the chance to have them "fused" into new animations

An in-depth interview with the artist on her cultural experiences and greatest influences, from Cézanne to the theatre of Tadeusz Kantor

Why the art world must tackle the questions posed by artificial intelligence head on, plus comics celebrated in two European locations and Degas’ portrait of the circus artist Anna Albertine Olga Brown

The presence of AI in every aspect of life has been a fact for the past 20 months. With the publication of the Stanford AI Index, two areas have come into focus. For museums, how to work with industry giants, without having their offering "distanced" by the summarising power of AI. For artists, how to thrive where sources of production are being monetised in Silicon Valley

The artist Refik Anadol, the museum director Thomas Campbell and the Future Art Ecosystems team at Serpentine share insights on how to thrive while working with artificial intelligence in 2024