Collectors
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The late collector Heini Thyssen forced himself to forget his family’s Nazi involvement, but so did the countries that vied for his and his father’s pictures in the 1980s. This well documented book gives the details
The Blue Rigi has been sold to an overseas collector, and after last year's loss of the Dark Rigi the pressure is on
Andrew Hall says he will now loan the piece to Mass MoCA
“It’s like a supermarket”
Collectors show their support for Miami art museums
Most works sold on opening day and buyers came from all continents
Historical works were popular
Late collector’s Hirst “chapel” will still open
Christie’s and the Stair Galleries both cancelled sales as a result
Financial buyers have had a dramatic impact on the way the art market works
Major collectors based in Gulf state are lending work
As the sheer number of annual events continues to grow, fair fatigue has become a common condition
The original piece was destroyed in a disastrous 2004 warehouse fire
Russian collectors approach fair with care…
Visitors include Charles Saatchi and Anita Zabludowicz
"The picture he paints is one where the only people to have any legitimate interest in ancient art objects are closeted archaeologists"
Charges range from £7,000 a year for five works to £20,000 for twenty works
The British collector Frank Cohen reviews a guide to the intricacies of buying new art
Project Space 176 will host both the Zabludowicz collection and commissions by resident artists
Trends in real estate and the prestige factor have influenced recent preferences in the private market for sculptural works
An Art Newspaper investigation tracks the ownership history of art from Charles Saatchi's collection shown at the Royal Academy in 1997
The works are on show in a local museum, and will travel the country next year
Victor Pinchuk’s art foundation is intended “to modernise Ukrainians”
The artist's portrait of Picasso is now part of a Moscow private collection
Pinault, Saatchi...Viglietta?
Horse breeder John Magnier has given seven other paintings to the institution for at least six years—exempting him from tax should the works be sold
But older decorative arts of the subcontinent fail to excite buyers