Glenn Lowry, director of MoMA, discusses the new internet alliance that marks the first time museums will use their expertise and reputations for online commercial ventures

This new curatorial direction suggests museum just a plaything for the staff

Alan Borg's contract extended until next year

Part of the design team at Wolff Olins, he sums up the Tate's branding redesign

With £6m a year to raise, the budget of Tate Modern will require constant effort

Good value and good quality with Thames & Hudson, and Tate Publications launch a raft of titles in connection with the new museums

Andrew Mummery powers up in a new gallery, Victoria Miro provides a sneak preview of her new space , and a Volkswagen van invades a front room in Camberwell

The director of the Rijksmuseum is turning the famous museum into an artistic journey through Dutch history, and combining fine and decorative arts

Shelley and Donald Rubin’s website invites contributions from museums, collectors, and scholars

The first stage of splitting the Tate Gallery into a museum of British art and a museum of international modern art takes place this month

How photographers from 1845 to the present have reflected time

The exhibition includes many highlights from the immense collection

An effort to increase the public's exposure to the National Collection

Van Gogh fakes controversy continues

The museum and the Great Exhibition from which it derives are the subject of five new books

Steel sculpture set for the new Tate Modern Turbine Hall

Two scholarly exercises in assessing the roles of Roger Fry, Vanessa Bell and Duncan Grant

The museum’s low-profile fundraising has achieved the biggest capital sum ever for a UK museum, but who is to pay for the running costs?

Twenty US works are to be shown at Millbank for its inauguration in March 2001

Museums considered banning female visitors at height of suffrage movement

Giles Waterfield, former director of the Dulwich Picture Gallery, looks at how the Colonial Willamsburg Foundation tackles the problems of shifting historical perspectives

An important test case for museums dealing with war loss cases.

Constables go to Tate and eighteenth-century works to V&A

Director Cristina Aschengreen-Piacenti has pioneered the project, refusing to allow the residence of a great Anglo-Florentine collector to fade from memory

A major loan show from Dresden’s Picture Gallery concentrates on paintings rather than decorative arts

Purchased from artist's family, it is the most important work still in private hands

Giles Waterfield, former director of the Dulwich Picture Gallery, looks at this witty and non-judgemental enterprise, one of many visual art developments already around the future Tate Gallery of Modern Art

An exhibition of Sikh treasures casts new light upon the art of an Indian culture better known for its war-like tendencies