Museums & Heritage
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Histories and anecdotes of the Tate Gallery and the British Museum
£6.2 million goes to the new Tate at Bankside before next years opening.
The former Cologne art dealer has given, lent, and sold parts of his collection to Weimar, in eastern Germany
The Tate unveils its previously unknown Bacon drawings to the world while two US museums present new views of the blockbuster British artist
The new series with The Art Newspaper
As the Tate and MoMA prepare their mammoth exhibition of works by the two artists in 2002 the Kimbell steps into the ring first with a similar, but smaller, show of its own
V&A edges toward the cutting edge—and commerce
The ruling: Museum food is tasteful and tasty
The incoming chair of the Preussischer Kulturbesitz thinks change is needed, but collector Heinz Berggruen defends outgoing museum director’s record
Two Constables and three small paintings discovered to be missing from storage
Tony Cragg goes wild at the Lisson, Emily Tsingou gets repetitive and Manchot’s middle-aged mum is at Zelda Cheatle
Jacob Rothschild, the banker and former head of the National Heritage Memorial Fund, always took a deeply personal interest in the last of the great Rothschild houses
Since its removal from Hereford Cathedral over three decades ago, it has languished in store, slowly deteriorating.
Christine Sitwell and Sarah Staniforth (eds), Studies in the history of painting restoration
A valuable collection of papers from a recent symposium
Iwona Blazwick describes a new and socially engaged style of curatorship at London’s future Tate Gallery of Modern Art
The Calder foundation cites fears concerning authenticity
£12 million required to complete refurbishment project.
Last July, The Art Newspaper broke the news that at least 45 Van Gogh paintings were suspect. This is what has happened since
No go for the V&A Libeskind
At the Victoria and Albert Museum, a single curator, Mark Haworth-Booth, has developed one the four greatest collections in the world
Following thefts, Tate receives funds to repurchase works stolen in Frankfurt
Five years on and the museum has exceeded all expectations
Museums and collectors should hasten to protect their rights in this field
Archives telling the story of Strong’s first years as director of the London museum, released under the 30-year rule, reveal how money was raised for two of the finest 18th-century portraits in its collection