CommentLeaders
When it comes to museum attendance, it’s more than just a numbers game
London's National Portrait Gallery director on the way cultural institutions engage audiences and measure success
CommentLeaders
What’s in a title? It’s time to reframe the Parthenon Marbles debate
The British Museum's ownership of the statues is only guaranteed within the UK—things get more complicated on an international level
CommentLeaders
Funding the arts through the National Lottery is not a winning solution
Thanks to an austerity-induced accounting trick, lottery funding is replacing taxes
CommentLeaders
Is contemporary art the kale of the art world?
The rise in popularity of the green vegetable mirrors that of contemporary art
CommentLeaders
Sydney’s flagship museum is entirely focused on building a costly extension. Why?
Unless the Art Gallery of New South Wales begins to focus more on exhibitions, there is every reason to believe that Sydney Modern will be a gigantic and costly flop
CommentLeaders
Egon Schiele was not a sex offender
The 100th anniversary of Austrian artist’s death has arrived just in time for the #MeToo movement
CommentLeaders
Displaying the ruins of demolished social housing at the Venice Architecture Biennale is not ‘art-washing’
The V&A acquired a fragment of London's Robin Hood Gardens before it was demolished
CommentLeaders
Retain or return? It’s complicated
The complex issues behind returning cultural goods to their place of origin
CommentLeaders
What we can learn from Saudi art
Suddenly, a lot of money is flowing through the kingdom for the promotion of contemporary art and culture
CommentLeaders
The mirage of riches in museums’ vaults
Putting aside museum ethics, Martin Gammon looks at the financial viability of museums deaccessioning their collection as a quick fix for financial trouble
CommentLeaders
Gilded coffin gives Met a golden opportunity
To prevent similar high-profile losses in the future, the Met should hire a permanent, full-time provenance curator
Rick St. Hilaire