Modern art
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Andrew Mummery powers up in a new gallery, Victoria Miro provides a sneak preview of her new space , and a Volkswagen van invades a front room in Camberwell
Big names for private collectors and big sculptures for museum curators
She is the bridge between the private collector and the public
Naomi Sawelson-Gorse edits this collection on the often overlooked women of Dada
A new collection draws attention towards a neglected part of the Surrealist's output
The master of mobiles and his relation to Parisian Modernism reassessed
Inspired by the Tate’s plans for Bankside, she gave the museum one third of her massive collection of modern art
Dealers and collectors alike come here to see the city and its contemporary art world take shape but immediate sales were limited
On the occasion of his Guggenheim retrospective, the artist talks about his globe-trotting approach to “the adventure of art”
Dalí in his own write
The works on paper will begin their nomadic existence at the Teylers Museum
First ever complete edition of avant-garde artist’s writings appearing in five volumes
Picasso, Matisse, Miró and Dalí suggest that great works of art continue to command great prices in changing markets
The opening displays, with recent gifts of Matisse, de Kooning, Marden, Polke and Richter, show John Lane's success in wooing San Francisco collectors
Reasonable results, with collectors looking lively
Serious collectors, serious prices, but mostly for the modern
The Museum of Modern Art has loaned 70 paintings for the first in a series of major exhibitions
It's heavily influenced by the work of Joseph Beuys and shows the near and distant past rather than the present, with plenty of conceptual appropriation
What is the point of restoring modern art? Is it reasonable to treat a Rauschenberg as if it were a Leonardo?
The inaugural edition focuses on works from the 1960s
The auction houses bring out six long-held major estates to tempt collectors
Exploring the influence of immigrants and how the world moved on from the war
In a quiet month a chance to see some classic modern art
An irony that the American art world will enjoy after the Mapplethorpe censorship row: the N.E.A. is sponsoring a partial replay of the Nazi “Entartete Kunst” exhibition of 1937
It would be the first to be run as a plc, with works of art as its capital base and private collectors as its shareholders